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Club Mixer
The MP 22z features six stereo Inputs
with individual Trims. Each of the two
assignable mixing buses contains its own
defeatable four band EQ, allowing sepa-
rate equalization for different sources. All
of the fader controls feature protective
dust dams. The Crossfader Contour
control allows adjusting the “shape” of the
Crossfader response from a gentle curve for smooth, long running fades, to the steep pitch required for top performance cut
and scratch effects.
◆ Six stereo inputs with trims
◆ Front panel replaceable Active Crossfader
◆ ‘Dipless’60mm Crossfader; optional 45mm
Crossfader
◆ Mic inputs have Bass and Treble controls as
well as an Effects Loop.The MP 22z also
features a second Remote Mic/Line Input
and a stereo Aux Line Input.
◆ Each of the two phono (RIAA) inputs can
be switched to line level use via rear panel
switches
◆ Master outputs include a stereo Master Loop
for equalization or processing,as well as two
separate Zone Outputs. The Tape output
and Zone 1 can be switched to include the
Main Mic signal with the program signal.
◆ Ve rsatile Program/Cue Metering and
Headphone Cueing. The metering can be
switched to monitor stereo program or
mono cue on one side and mono program
on the other.
◆ Recessed top mounted jacks provide room
for cabling in tight DJ coffins or racks with-
out sacrificing its compact 4˝ depth.
MP 24Z
Club Mixer
The Rane MP 24z is the standard for night
club mixers. Featuring four stereo input
mixing channels, each supplied with a
selection of several phono and line inputs,
the MP 24z easily suits the needs of the
most complex audio/ video installations. A total of six stereo line inputs are available plus three stereo phono inputs.
◆ Front panel replaceable Active Crossfader
◆ ‘Dipless’60mm Crossfader; optional 45mm
Crossfader
◆ Handles two mics simultaneously. Both mics
may be contoured by the 3-band Mic EQas
well as processed through a Mic Loop jack.
On the rear, an XLR low-Z Main Mic Input
with switchable Phantom Power, and a 1/4˝
Hi-Z Aux Mic Input are both mixable.
◆ Each of the phono inputs can be converted
to line inputs by moving internal jumpers.
◆ The Output section provides a Master Level
fader, four band Program EQ (independent
of the Mic EQ), two auxiliary output con-
trols (Zone and Booth),a stereo 12-segment
Peak Program Meter and full Headphone
Control monitoring and cueing system.
◆ Besides all of the normal inputs/output, the
rear of the MP 24z features a transformer
isolated Light Control output withl evel
control, balanced XLR Main Outputs,
Program Equalizer EQ Range switch (±4 or
±8 dB) and a System Mono switch.
◆ Sliders are studio-quality as found on high
quality audio mixing consoles.
◆ Another internal jumper allows defeating
the Booth Ducker circuit when the mic is
activated — this feature has been requested
by those wishing to use the Booth Output as
a second record output or second zone.
◆ Another jumper allows the Mic section to be
mixed to the Tape Outs — the default set-
ting is “music only”.
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