Vestax DGE-X2 Guía de usuario Pagina 28

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RANE
MP 22Z
DJ EQUIPMENT
1551
PHOTO - VIDEO - PRO AUDIO
ORDER & INFO. (212) 444-5088 • FAX: (212) 239-7770 (800) 947-7008
1-800-875-6951 • www.bhphotovideo.com
Club Mixer
The MP 22z features six stereo Inputs
with individual Trims. Each of the two
assignable mixing buses contains its own
defeatable four band EQ, allowing sepa-
rate equalization for different sources. All
of the fader controls feature protective
dust dams. The Crossfader Contour
control allows adjusting the “shape” of the
Crossfader response from a gentle curve for smooth, long running fades, to the steep pitch required for top performance cut
and scratch effects.
Six stereo inputs with trims
Front panel replaceable Active Crossfader
‘Dipless’60mm Crossfader; optional 45mm
Crossfader
Mic inputs have Bass and Treble controls as
well as an Effects Loop.The MP 22z also
features a second Remote Mic/Line Input
and a stereo Aux Line Input.
Each of the two phono (RIAA) inputs can
be switched to line level use via rear panel
switches
Master outputs include a stereo Master Loop
for equalization or processing,as well as two
separate Zone Outputs. The Tape output
and Zone 1 can be switched to include the
Main Mic signal with the program signal.
Ve rsatile Program/Cue Metering and
Headphone Cueing. The metering can be
switched to monitor stereo program or
mono cue on one side and mono program
on the other.
Recessed top mounted jacks provide room
for cabling in tight DJ coffins or racks with-
out sacrificing its compact 4˝ depth.
MP 24Z
Club Mixer
The Rane MP 24z is the standard for night
club mixers. Featuring four stereo input
mixing channels, each supplied with a
selection of several phono and line inputs,
the MP 24z easily suits the needs of the
most complex audio/ video installations. A total of six stereo line inputs are available plus three stereo phono inputs.
Front panel replaceable Active Crossfader
‘Dipless’60mm Crossfader; optional 45mm
Crossfader
Handles two mics simultaneously. Both mics
may be contoured by the 3-band Mic EQas
well as processed through a Mic Loop jack.
On the rear, an XLR low-Z Main Mic Input
with switchable Phantom Power, and a 1/4˝
Hi-Z Aux Mic Input are both mixable.
Each of the phono inputs can be converted
to line inputs by moving internal jumpers.
The Output section provides a Master Level
fader, four band Program EQ (independent
of the Mic EQ), two auxiliary output con-
trols (Zone and Booth),a stereo 12-segment
Peak Program Meter and full Headphone
Control monitoring and cueing system.
Besides all of the normal inputs/output, the
rear of the MP 24z features a transformer
isolated Light Control output withl evel
control, balanced XLR Main Outputs,
Program Equalizer EQ Range switch (±4 or
±8 dB) and a System Mono switch.
Sliders are studio-quality as found on high
quality audio mixing consoles.
Another internal jumper allows defeating
the Booth Ducker circuit when the mic is
activated — this feature has been requested
by those wishing to use the Booth Output as
a second record output or second zone.
Another jumper allows the Mic section to be
mixed to the Tape Outs — the default set-
ting is “music only”.
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