Vestax DGE-X2 Guía de usuario descargar pdf (Pagina 37)

STANTON

CLUB & MIX MIXERS

SMX-201

DJ Mixer

◆ 2 line and 2 phono inputs

◆ 2 band EQ and Gain control per channel

◆ Cue section features cue level and cue pan

◆ Mic input with 2 band EQ

◆ User replaceable faders

◆ Compact size

SMX-211

Same as the SMX-201

with Crossfader Start

DJ EQUIPMENT

1560

www.bhphotovideo.com

PHOTO - VIDEO - PRO AUDIO

SMX-201/SMX-211 SMX-501

Line Inputs 2 (RCA),-10dB/47k Ω 2 (RCA), -10dB/10k Ω

Phono Inputs 2 (RCA), -50dB/47k Ω 2 (RCA), -50dB/47k Ω

DJ mic Input 1 (1/4˝), -50dB/6k Ω 2 (1/4˝), -50dB/100k Ω

Master Output 1 (RCA),-10dB/47k Ω 2 (XLR/RCA)

Mic Tone +/-10dB (Hi, Low)

To ne Control +9/-26dB (Hi, Mid,Low) +9/-40dB (Hi,Mid, Low)

Headphone Output 1 (1/4˝), -3dB/33Ω 2 (1/4˝ and 1/8˝)

Frequency Response 20 Hz - 20 kHz, +/- 2dB 20 Hz - 20 kHz,+.5/-2dB

Gain Control 0-20dB

S/N Ratio Less than 75dB Better than 100dB

T.H.D. Less than 0.2% Less than 0.05%

Dimensions (WxHxD) 10

⁄2 x 9 x 3

⁄2˝ 14 x 10.25 x 4.75˝

We i gh t 6.6 lbs. 9.25 lbs.

SMX-501

Hybrid 3-Channel “Techno/Scratch” Mixer

This “one of a kind” mixer combines the

best of both worlds and bridges the gap

between Battle & Club DJs.

◆ 3 channel scratch mixer

◆ Assign effects loop to each individual

channel, plus the mic

◆ Custom High Quality Penny and Giles

Crossfader with VCA curve adjustment

and crossfader assign

◆ Assignable Crossfader (A, B,Bypass)

◆ VCA Crossfader curve control & reverse

◆ Curve control and reverse on Linefaders

◆ Each channel features a gain control,slider Pan,and a versatile 3 band EQ

with complete KILL

◆ Balanced XLR master output (unbalanced RCA also provided)

◆ Booth output

◆ Rotatable 3 Position phono/line switch with flash feature

◆ Separate channel input and master output LED meters

◆ Headphone mute

◆ Fully assignable Send/Return connections for external effects

◆ Pre Fader Listen (PFL) of channels and effects loop with Cue Pan control

◆ 3 line, 3 phono, and 2 mic inputs

◆ Mic channel features gain controls and a 3 band EQ

◆ Channel fader reverse switch ◆ User replaceable faders

Focus Fader V2 Digital Optical Crossfader

Improving on the original and world’s first optical fader design that brought the industry

and art to a new plateau, the Focus Fader V2 is truly curve adjustable to accommodate to

any style of DJ artist.If your style requires a smooth fade for long mixes or a razor sharp

cut-off for precise scratching,V2 is the answer.

No more bleeding, no more static,no more wasted time,just hours of practice enjoyment

and flawless performance.The Focus Fader V2 is highly advanced and opens many doors

for innovations in DJ equipment technology. Fitted with an array of optical sensors and

microprocessor controlled to eliminate the need for contacts or graphite material, the V2

will outlast any standard graphite or conductive plastic fader on the market.

Focus Fader V1 Digital Optical Crossfader

The Focus Fader V1 is the world’s first true optical crossfader for scratch artists.Without

the standard graphite contacts found on most faders, the V1 offers no no resistance at all

which allows for quicker movements while scratching.The optics provide a true ON/OFF

cut instead of the sharp fade found on all other battle mixers (which simulate a cut).

Since there are no contacts, it also means that there will never be any degredation of the

audio signal due to the crossfader

Focus Fader V1 is available for SK-1, SK-2, SK-4, SK-5 and SK-6

Penny & Giles Faders

P&G faders have been used in broadcast

and recording consoles such as SSL,

Neve, Mackie (Logic Control) and many

others for many years. They are considered

by many of the world's top professional

audio and recording engineers to be the

highest quality faders in the world. Until

recently, they were considered to be too

expensive for DJ mixers. Stanton

approached P&G to make custom faders

for its mixers, such as the SA-12, SA-8,

and SMX-501. Other companies have

now followed (Rane, Allen & Heath, and

Vestax), but they are not the same

custom P&G faders that Stanton uses.

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